Hi- Back in '89 I picked up a Bushnell 500mm mirror lens for use in taking pictures of the Space Shuttle landings at Edwards Air Force Base. Unfortnuately, the 1989 earthquake in the bay area kinda changed my plans for it. I've had mixed results with the lens. It is NOT autofocus with a little knob on the side to do the focus. One of the characteristics of a mirror lens that is a dead giveaway on the type used is to look for specular highlights that are slightly out of focus. The bright spots have a distictive "doughnut" shape to them. You see the doughnut, you know it came from a mirror lens. High shutter speeds are a must with these lenses, even with a fairly sturdy tripod mount. My lens is also fixed at f/8, so that pretty much means fast film and an accurate shutter. I have taken moon shoots with this lens and the results were fair. The trick there is to compose and then to lock the mirror up (I use Nikon gear), put a piece of black cardboard over the front of the lens, trip the shutter open (timed exposure), wait for the shutter to stop shaking the camera, remove the cardboard from in front of the lens for the exposure, do the exposure, put the cardboard over the front of the lens and trip the shutter closed. All in an effort to eliminate the camera shake. Of course, no wind. Meanwhile, the moon has shifted from when you composed....... As an example, a 4X5 sized print of the moon filling most of the frame yielded quality of a fair point and shoot camera with a normal picture. Not too bad for a lens that cost under $1000.00. For a real thrill and a good way to burn film is to try using these types of lenes on action shots! Maybe with the autofocus, you will have better luck, however I did prefocus on the plane of interest with mine. The trick is to "track" the object. One cannot wait for the object to come into frame and mash the shutter. Blurring will result. The other trick is to compose with both eyes open. This takes some practice. Use a static subject and look at it with one eye through the viewfinder, the other open. Notice where in the viewfinder the smaller subject is in relation to the larger image in the viewfinder. With a little bit of practice, one can find that this really helps in lining up the shot. Even these action shots required a tripod. Panning with the tripod worked out o.k. I'm sure that motion stablized lenes would be better. I've tried using a 2X converter with it, but the results were worse. Maybe due to a cheap 2X converter? All in all, within fairly tight confines of picture taking, the mirror lens is no where near as good as the "big glass" of the professional folks. If you are doing wildlife shots, if you are doing wildlife, I would suggest you stay clear of the mirror lenes, but with practice, one can learn to use these lenses and they are certianly a LOT cheaper! Cheers, Rich S. >>> Any chance to shoot some stars or the moon, just to see the image >>> quiality at >>> night ? >> >>Sometime - remind me in a month or so if nothing eventuates. >>I've done some hand held or braced night shots but at f8 and 750mm >>it needs a rock solid mount for good results. >Back when my father was still repairing cameras he had occasion to repair a >Canon 600mm that came with a 2x converter specifically designed for it >(belonged to the local newspaper). We took my Canon camera out into the back >yard once he had fixed the lens, and took a photo of the moon using this >lens and converotr.. Just nicely filled the 35mm frame with the 1200mm focal >length. I was most impressed with it. -- http://www.piclist.com PIC/SX FAQ & list archive View/change your membership options at http://mailman.mit.edu/mailman/listinfo/piclist