David, here are a few suggestions for a solution to your problem with harmonics: 1) Use a dual speed PLL to initially lock onto the strong fundamental in 'fast' tracking mode and then automatically switch to 'slow' mode to stay locked onto the decaying fundamental (decrease capture range). The 'fast' speed would be optimized to lock onto the fundamental quickly and the 'slow' speed would be fast enough to track tuning variations but too slow to 'jump' over to a harmonic. The fundamental could then be measured by coupling the vco to the pic. 2) Use zero crossing detection. It has the unique property of allways digitizing the lowest frequency, even if its not the strongest. A well designed front end, and possibly threshold tracking to maintain sensitivity could be used to extend its range. 3) Use a switched capacitor filter with external clock input configured as a 'comb' filter. Lock on to the fundamental and feed it into the filter's clock, thereby attenuating its harmonics. Something creative would need to be done here to aquire the fundamental in the first place. 4) Use the pic to implement an FIR or IIR filter. 5) Use the pic to integrate its measurement of frequency and then use that to detect the rate-of-change. If the rate of change (slope) exceeds a pre-set value then we know the detection circuitry has switched from the fundamental to a harmonic. At that point in time divide the new frequency measurement by the fundamental to calculate the harmonic factor and use that factor in subsequent calculations. This idea would work best if the signal were processed first by a PLL to lock onto a single spectral component. In fact, you could use the lock detection circuitry of the PLL to detect when the switchover to a harminic occurs. 6) Can you tell if a note is sharp or flat from its harmonic as well as from its fundamental? If so, then use a PLL front end to purify the spectrum (one frequency at a time) and do your function on the VCO signal. 7) Use an analog input and implement a PLL in pic firmware, using a combination of the above ideas. I really know absolutely nothing about music, but I hope these ideas are usefull, or stimulate the formulation of new ones. Regards, Dana Frank Raymond - Foxtrot Systems Ltd. Internet: dana.raymond@canrem.com. Compuserve: 73362,3052